{
	"storytitle": "Romance Cartography: a map of <i>Paul Jones</i> (1826)",
	"backlink": "/",
	"backtext": "Return to main site",
	"locations": [{
			"id": 1,
			"name": "The Mermaid-bay",
			"type": "fictional",
			"lat": 54.894602,
			"lon": -3.574314
		},
		{
			"id": 2,
			"name": "Dalveen Castle",
			"type": "fictional",
			"lat": 54.901429,
			"lon": -3.576987
		},
		{
			"id": 3,
			"name": "The Sea",
			"type": "approximate",
			"lat": 38.672109,
			"lon": -38.69368
		},
		{
			"id": 4,
			"name": "Farmer's house",
			"type": "fictional",
			"lat": 54.899023,
			"lon": -3.59303
		},
		{
			"id": 5,
			"name": "The Pauls' cottage",
			"type": "real",
			"lat": 54.898726,
			"lon": -3.580337
		},
		{
			"id": 6,
			"name": "Smugglers' caverns",
			"type": "fictional",
			"lat": 54.873802,
			"lon": -3.731224
		},
		{
			"id": 7,
			"name": "Solway coast",
			"type": "approximate",
			"lat": 54.881072,
			"lon": -3.724406
		},
		{
			"id": 8,
			"name": "Old Siddick parish church",
			"type": "real",
			"lat": 54.895,
			"lon": -3.7066
		},
		{
			"id": 9,
			"name": "Ford",
			"type": "fictional",
			"lat": 54.894233,
			"lon": -3.600279
		},
		{
			"id": 10,
			"name": "Howlet-howe",
			"type": "fictional",
			"lat": 54.917227,
			"lon": -3.604973
		},
		{
			"id": 11,
			"name": "Solway sands",
			"type": "approximate",
			"lat": 54.948648,
			"lon": -3.54922
		},
		{
			"id": 12,
			"name": "Caerlaverock bank",
			"type": "real",
			"lat": 54.970231,
			"lon": -3.533271
		},
		{
			"id": 13,
			"name": "Solway Firth",
			"type": "approximate",
			"lat": 54.79372,
			"lon": -3.617008
		},
		{
			"id": 14,
			"name": "Martha Gideon's cottage",
			"type": "fictional",
			"lat": 54.976676,
			"lon": -3.547807
		},
		{
			"id": 15,
			"name": "Caerlaverock Castle",
			"type": "real",
			"lat": 54.97565,
			"lon": -3.523914
		},
		{
			"id": 16,
			"name": "Moodie's Den",
			"type": "fictional",
			"lat": 54.8733,
			"lon": -3.73213
		},
		{
			"id": 17,
			"name": "Solway coast",
			"type": "approximate",
			"lat": 54.866613,
			"lon": -3.741851
		},
		{
			"id": 18,
			"name": "Macmittimus Hall",
			"type": "fictional",
			"lat": 54.900343,
			"lon": -3.669706
		},
		{
			"id": 19,
			"name": "The Merse",
			"type": "real",
			"lat": 54.884581,
			"lon": -3.691887
		},
		{
			"id": 20,
			"name": "Jones's ship",
			"type": "fictional",
			"lat": 54.87861,
			"lon": -3.570456
		},
		{
			"id": 21,
			"name": "Solway coast",
			"type": "approximate",
			"lat": 54.886941,
			"lon": -3.590725
		},
		{
			"id": 22,
			"name": "Solway coast",
			"type": "approximate",
			"lat": 54.892367,
			"lon": -3.576655
		},
		{
			"id": 23,
			"name": "Widow's cottage",
			"type": "fictional",
			"lat": 54.894356,
			"lon": -3.580533
		},
		{
			"id": 24,
			"name": "The Pauls' new cottage",
			"type": "real",
			"lat": 54.898726,
			"lon": -3.580337
		},
		{
			"id": 25,
			"name": "Darksome glen",
			"type": "fictional",
			"lat": 54.893439,
			"lon": -3.589486
		},
		{
			"id": 26,
			"name": "Neighbouring castle",
			"type": "fictional",
			"lat": 55.211513,
			"lon": -3.718733
		},
		{
			"id": 27,
			"name": "Dalgonar-glen",
			"type": "real",
			"lat": 55.137859,
			"lon": -3.789326
		},
		{
			"id": 28,
			"name": "Solway coast",
			"type": "approximate",
			"lat": 54.873187,
			"lon": -3.812792
		},
		{
			"id": 29,
			"name": "Lord Roland's tower",
			"type": "fictional",
			"lat": 54.876853,
			"lon": -3.845244
		},
		{
			"id": 30,
			"name": "Water's edge",
			"type": "approximate",
			"lat": 54.874452,
			"lon": -3.828035
		},
		{
			"id": 31,
			"name": "Solway Firth",
			"type": "approximate",
			"lat": 54.781463,
			"lon": -3.748560
		},
		{
			"id": 32,
			"name": "Whitehaven harbour",
			"type": "real",
			"lat": 54.55061,
			"lon": -3.590678
		},
		{
			"id": 33,
			"name": "Irish Sea",
			"type": "approximate",
			"lat": 54.3277,
			"lon": -4.373103
		},
		{
			"id": 34,
			"name": "Solway at the mouth of the Urr",
			"type": "real",
			"lat": 54.845376,
			"lon": -3.794474
		},
		{
			"id": 35,
			"name": "Entrance to Kirkcudbright Bay",
			"type": "real",
			"lat": 54.778844,
			"lon": -4.068151
		},
		{
			"id": 36,
			"name": "St. Mary's Isle",
			"type": "real",
			"lat": 54.82279968,
			"lon": -4.06413182
		},
		{
			"id": 37,
			"name": "Entrance to Kirkcudbright Bay",
			"type": "real",
			"lat": 54.771873,
			"lon": -4.072342
		},
		{
			"id": 38,
			"name": "Upland",
			"type": "fictional",
			"lat": 54.863091,
			"lon": -3.908245
		},
		{
			"id": 39,
			"name": "Kirkcudbright",
			"type": "real",
			"lat": 54.837112,
			"lon": -4.053086
		},
		{
			"id": 40,
			"name": "Solway/Irish Sea",
			"type": "approximate",
			"lat": 54.520135,
			"lon": -4.610917
		},
		{
			"id": 41,
			"name": "Mull of Galloway",
			"type": "real",
			"lat": 54.633634,
			"lon": -4.855543
		},
		{
			"id": 42,
			"name": "Irish Sea",
			"type": "approximate",
			"lat": 54.469339,
			"lon": -5.066897
		},
		{
			"id": 43,
			"name": "Solway coast",
			"type": "approximate",
			"lat": 54.755676,
			"lon": -4.063382
		},
		{
			"id": 44,
			"name": "Solway coast",
			"type": "approximate",
			"lat": 54.764775,
			"lon": -4.071501
		},
		{
			"id": 45,
			"name": "Le Havre",
			"type": "real",
			"lat": 49.488471,
			"lon": 0.096154
		},
		{
			"id": 46,
			"name": "Road to Paris",
			"type": "approximate",
			"lat": 49.4466,
			"lon": 0.551013
		},
		{
			"id": 47,
			"name": "Paris",
			"type": "real",
			"lat": 48.867138,
			"lon": 2.315904
		},
		{
			"id": 48,
			"name": "Marquis de La Fayette's house",
			"type": "real",
			"lat": 48.865759,
			"lon": 2.329951
		},
		{
			"id": 49,
			"name": "French court",
			"type": "real",
			"lat": 48.804423,
			"lon": 2.121506
		},
		{
			"id": 50,
			"name": "Jones's Paris residence",
			"type": "real",
			"lat": 48.85536,
			"lon": 2.277652
		},
		{
			"id": 51,
			"name": "West Indies",
			"type": "approximate",
			"lat": 20.412393,
			"lon": -68.920549
		},
		{
			"id": 52,
			"name": "Boston",
			"type": "approximate",
			"lat": 42.353445,
			"lon": -71.043237
		},
		{
			"id": 53,
			"name": "Boston Hall of Representatives",
			"type": "real",
			"lat": 42.358769,
			"lon": -71.057806
		},
		{
			"id": 54,
			"name": "Elisha Boote's house",
			"type": "fictional",
			"lat": 42.358777,
			"lon": -71.060243
		},
		{
			"id": 55,
			"name": "Grove",
			"type": "fictional",
			"lat": 42.343651,
			"lon": -71.083932
		},
		{
			"id": 56,
			"name": "River",
			"type": "fictional",
			"lat": 42.28744,
			"lon": -71.198657
		},
		{
			"id": 57,
			"name": "Pastoral district",
			"type": "fictional",
			"lat": 42.204884,
			"lon": -71.591785
		},
		{
			"id": 58,
			"name": "Green hill",
			"type": "fictional",
			"lat": 42.301471,
			"lon": -71.896732
		},
		{
			"id": 59,
			"name": "Fort",
			"type": "fictional",
			"lat": 42.346678,
			"lon": -72.641322
		},
		{
			"id": 60,
			"name": "Boundless plain",
			"type": "fictional",
			"lat": 41.256021,
			"lon": -75.624794
		},
		{
			"id": 61,
			"name": "Immense river",
			"type": "fictional",
			"lat": 40.128315,
			"lon": -76.728166
		},
		{
			"id": 62,
			"name": "Mountain pass",
			"type": "fictional",
			"lat": 39.69755,
			"lon": -79.763262
		},
		{
			"id": 63,
			"name": "Galloway enclave",
			"type": "fictional",
			"lat": 39.764299,
			"lon": -81.104871
		},
		{
			"id": 64,
			"name": "Bay",
			"type": "fictional",
			"lat": 38.618629,
			"lon": -77.246527
		},
		{
			"id": 65,
			"name": "Generals' meeting",
			"type": "fictional",
			"lat": 38.114263,
			"lon": -78.680653
		},
		{
			"id": 66,
			"name": "Off Ochakov",
			"type": "approximate",
			"lat": 46.595386,
			"lon": 31.552823
		},
		{
			"id": 67,
			"name": "Siege of Ochakov",
			"type": "approximate",
			"lat": 46.625457,
			"lon": 31.518386
		},
		{
			"id": 68,
			"name": "Alexander Suvorov's tent",
			"type": "approximate",
			"lat": 46.625038,
			"lon": 31.518718
		},
		{
			"id": 69,
			"name": "Siege of Ochakov",
			"type": "approximate",
			"lat": 46.618513,
			"lon": 31.536403
		},
		{
			"id": 70,
			"name": "Dnieiper river",
			"type": "approximate",
			"lat": 46.562952,
			"lon": 32.439706
		},
		{
			"id": 71,
			"name": "Deep brook",
			"type": "fictional",
			"lat": 46.568862,
			"lon": 32.453793
		},
		{
			"id": 72,
			"name": "Immense forest",
			"type": "fictional",
			"lat": 46.616125,
			"lon": 32.431269
		},
		{
			"id": 73,
			"name": "Catherine the Great's hunting lodge",
			"type": "fictional",
			"lat": 46.665887,
			"lon": 32.462993
		},
		{
			"id": 74,
			"name": "Solway Firth",
			"type": "approximate",
			"lat": 54.631628,
			"lon": -4.065774
		},
		{
			"id": 75,
			"name": "Small cove",
			"type": "fictional",
			"lat": 54.863098,
			"lon": -3.748927
		},
		{
			"id": 76,
			"name": "Little stream",
			"type": "fictional",
			"lat": 54.900044,
			"lon": -3.578434
		},
		{
			"id": 77,
			"name": "Jones's ship",
			"type": "fictional",
			"lat": 54.863098,
			"lon": -3.748927
		},
		{
			"id": 78,
			"name": "Site of the Bastille",
			"type": "real",
			"lat": 48.85333,
			"lon": 2.36917
		},
		{
			"id": 79,
			"name": "Committee of Public Safety",
			"type": "real",
			"lat": 48.861065,
			"lon": 2.330565
		},
		{
			"id": 80,
			"name": "Cathedral",
			"type": "fictional",
			"lat": 48.853152,
			"lon": 2.349576
		},
		{
			"id": 81,
			"name": "National Convention",
			"type": "real",
			"lat": 48.861766,
			"lon": 2.331064
		},
		{
			"id": 82,
			"name": "Public square",
			"type": "fictional",
			"lat": 48.865269,
			"lon": 2.321137
		},
		{
			"id": 83,
			"name": "Jones's chambers",
			"type": "real",
			"lat": 48.850308,
			"lon": 2.337466
		},
		{
			"id": 84,
			"name": "Near the mouth of the Seine",
			"type": "approximate",
			"lat": 49.414635,
			"lon": 0.062981
		},
		{
			"id": 85,
			"name": "Guard house",
			"type": "real",
			"lat": 54.549436,
			"lon": -3.596146
		},
		{
			"id": 86,
			"name": "Lowther Arms",
			"type": "fictional",
			"lat": 54.547519,
			"lon": -3.587153
		},
		{
			"id": 87,
			"name": "Battery",
			"type": "real",
			"lat": 54.549647,
			"lon": -3.59644
		},
		{
			"id": 88,
			"name": "Russian wilderness",
			"type": "fictional",
			"lat": 46.640766,
			"lon": 32.435264
		},
        {
            "id": 89,
            "name": "Le Havre principal street",
            "type": "real",
            "lat": 49.491504,
            "lon": 0.107703
        }
	],
	"slides": [{
		"id": 1,
		"next": 2,
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		"text": {
			"headline": "",
			"text": "‘With a Scotchman for my hero, I have the wide world for a stage to display him on; but I am the slave of truth, and wish not to write fiction, but history.’ (3.244)<br />&nbsp;<br />Allan Cunningham’s novel <i>Paul Jones; A Romance</i> reimagines the life-story of John Paul Jones (1747-1792), who was a mariner from southwest Scotland. Born John Paul, he emigrated to America and added ‘Jones’ to his name after having killed a mutineer on board his ship in 1773. He became famous for his actions across 1778-9 fighting on behalf of the Revolutionary United States. His raids on Britain included targeting both the English town of Whitehaven – where he had been apprenticed as a teenager – and his home county of Kirkcudbrightshire on the Scottish side of the Solway Firth. He was villainised for his actions by the British press as a traitor and a pirate.<br />&nbsp;<br />Written in a period of mass emigration from Britain and reflecting on the revolutionary politics of the late eighteenth century, Cunningham’s novel explores questions of belonging in a transatlantic and global context. With emphasis on the force of local attachments, Jones’s seafaring life and his politics of ‘liberty’ are presented as a modern tragedy about the loss of home.<br />&nbsp;<br /><i>Paul Jones</i> is among more eccentric examples of nineteenth-century ‘historical romances' and bears the influence of Walter Scott, who had already set two of his most important novels on the Solway coastline: <i>Guy Mannering</i> (1815) and <i>Redgauntlet</i> (1824). At the same time, Cunningham's own writing had long been concerned with the area and many of the local settings in <i>Paul Jones</i> had appeared in earlier works by him. <br />&nbsp;<br />This experimental map allows the user to experience Cunningham’s novel in a new way. It shows the intensely local and globetrotting qualities of the text as well as its striking combination of real and imaginary places.<br />&nbsp;<br />With thanks to the National Library of Scotland, the Scotland section is overlaid with the first edition, six-inch Ordnance Survey maps (1843-1882). Methodologically, the resource attempts to marry Cunningham's settings with both its base map and the OS maps, without discounting the internal logic of the novel's use of space (for example, retaining a broadly coherent direction of travel even if distances are unrealistic). At times this becomes absurdly impractical – the novel’s geography often tends towards the mythological – and this resource, it is hoped, highlights slippages between literary, cartographic and empirical space.<br />&nbsp;<br />Note: The location markers on the map are divided into three types: ‘real’, ‘approximate’ and ‘fictional’. These are not absolute categories but are intended as a helpful guide to Cunningham’s use of space. Also, Cunningham uses different versions of his protagonist’s name across the novel. For simplicity, the editorial notes here refer to him as John Paul Jones or simply ‘Jones’.<br />&nbsp;<br />This resource has been created by Gerard Lee McKeever and Brian Aitken of the University of Glasgow as part of Dr McKeever’s British Academy Postdoctoral Fellowship, titled 'Regional Romanticism: Dumfriesshire and Galloway, 1770-1830'.<br />&nbsp;<br />For more, see Gerard Lee McKeever, ‘John Paul Jones and the Curse of Home’, <i>Philological Quarterly</i>, 99.1 (2020): 95-117."
		},
		"type": "overview",
		"location": 1,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 2,
		"next": 3,
		"previous": 1,
		"number": 1,
		"volume": 1,
		"pageNumber": "6",
		"text": {
			"headline": "The Mermaid-bay",
			"text": "One fine summer evening, some fifty years ago, two young men were observed seated side by side on the ground, in a small woody bay on the Scottish side of the sea of Solway&mdash;a place of great natural beauty, and called, from a wild legend which mariners connected with it, the Mermaid-bay.",
			"note": "Introduced here at the beginning of the novel, this is a key location for the novel's romanticisation of the Galloway coastline. It is evidently near Jones's birthplace and the foot of Criffel hill."
		},
		"location": 1,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 3,
		"next": 4,
		"previous": 2,
		"number": 2,
		"volume": 1,
		"pageNumber": "24",
		"text": {
			"headline": "Dalveen Castle",
			"text": "While this was passing in the Mermaid-bay, mirth and music, and song and dancing, abounded in the castle of Dalveen.",
			"note": "This is the home of Lord Thomas Dalveen, the novel's principal antagonist. The marker here is at Arbigland House, the estate on which Jones was born, though the setting in the novel is much more Gothic, appearing at erratically varying distances from the sea."
		},
		"location": 2,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 4,
		"next": 5,
		"previous": 3,
		"number": 3,
		"volume": 1,
		"pageNumber": "27",
		"text": {
			"headline": "The Mermaid-bay",
			"text": "She saw the whole line of coast for a mile on either hand,&mdash;she saw the cormorants roosting in pairs among the cliffs,&mdash;the wood-doves seated on the pine-tree tops,&mdash;and, as her eye sought the bosom of the bay, she heard words of anger, and then clashing of swords.",
			"note": "Cunningham's descriptions of the Solway coast condense and rearrange some of its most memorable features including cliffs and caves into the novel's imaginative geography."
		},
		"location": 1,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 5,
		"next": 6,
		"previous": 4,
		"number": 4,
		"volume": 1,
		"pageNumber": "35",
		"text": {
			"headline": "Dalveen Castle",
			"text": "On the summit of this rock stands the castle of Dalveen, a huge square building, with projecting towers at each corner, and a low-browed and narrow gate way, bearing upon it the tokens of many a siege.",
			"note": "Though Cunningham has reimagined Arbigland House as Dalveen Castle, Arbigland is also mentioned by name a few times in the first volume, suggesting a shifting overlay of historical and romantic geographies."
		},
		"location": 2,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 6,
		"next": 7,
		"previous": 5,
		"number": 5,
		"volume": 1,
		"pageNumber": "41",
		"text": {
			"headline": "The Sea",
			"text": "The sea has ever been looked upon as a tamer of fiery and untranquil spirits from the time that the swine possessed with the devils ran into it till now; and to the sea Paul went in his sixteenth year.",
			"note": "This is a hint of the globetrotting to come later in the novel."
		},
		"location": 3,
		"zoom": 4,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 7,
		"next": 8,
		"previous": 6,
		"number": 6,
		"volume": 1,
		"pageNumber": "44",
		"text": {
			"headline": "The Mermaid-bay",
			"text": "Paul had taken a stroll along the most unfrequented part of the shore, and was seated on the grass in the Mermaid-bay, looking at the rushing of the augmenting tide, when a vessel, bedecked with streamers of silk and garlands of flowers, and with music of all sorts sounding on her decks, stood suddenly in from the centre of the frith to the place where he was resting.",
			"note": "This 'sudden' appearance of a ship is indicative of the way that space and time bend to the novel's Romance instincts."
		},
		"location": 1,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 8,
		"next": 9,
		"previous": 7,
		"number": 7,
		"volume": 1,
		"pageNumber": "48",
		"text": {
			"headline": "Dalveen Castle",
			"text": "The old avenues were cleared, the walls disencumbered of such weeds and flowers as the wind had sown in their chinks, the flowering and grassy mantle was removed from the moat, while, from the summit of the central tower, the ancient banner of the family was displayed.",
			"note": "While Jones himself is an antihero, Lord Dalveen is a remarkably amoral character who represents a degenerate and Jacobitical aristocracy."
		},
		"location": 2,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 9,
		"next": 10,
		"previous": 8,
		"number": 8,
		"volume": 1,
		"pageNumber": "52-3",
		"text": {
			"headline": "Farmer's house",
			"text": "Lord Dalveen stood beneath a large ash tree within a few paces of the door, and with his foot in the stirrup, and his hand on his horse’s mane, listened with a smile to the audible whisperings of the farmer’s wife. A light in the air was in an instant seen and gone&mdash;the horse of the young nobleman dropt lifeless at his feet, and the lofty tree, under which he stood, was shivered into ten thousand splinters, and scattered over the ground like straw.",
			"note": "Cunningham introduces supernatural machinery with a varying mix of belief and scepticism."
		},
		"location": 4,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 10,
		"next": 11,
		"previous": 9,
		"number": 9,
		"volume": 1,
		"pageNumber": "62",
		"text": {
			"headline": "Dalveen Castle",
			"text": "The tapestry shook as if a tempest had moved it; the old banners, suspended from a roof of massy and carved oak, as hard and as solid as iron, waved to and fro as if borne in battle; the musicians, slaunting their cheeks along the thrilling strings, played under a sort of inspiration; while all the old people who came to be witnesses, rather than partakers, obeyed the music with hand and foot, and nodded, and smiled, and cracked their thumbs.",
			"note": "<i>Paul Jones</i> navigates between a nostalgic interest in the old ways and a sense of class injustice."
		},
		"location": 2,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 11,
		"next": 12,
		"previous": 10,
		"number": 10,
		"volume": 1,
		"pageNumber": "104",
		"text": {
			"headline": "The Pauls' cottage",
			"text": "Tradition, indeed, before I examined the ruins, told me, first, that it was built by no good art; and, secondly, that in imitation of the imaginary architecture of the Spanish armada, it was built in alternate layers of wood and stone. It was a mixture of rude masonry and beams of the blackest oak, and was probably founded upon piles; for through the deserted floor of the house the water had bubbled up.",
			"note": "As this fantastical vision suggests, Jones's birthplace is highly symbolic in the novel. The cottage birthplace was already a key trope in Scottish culture not least as a result of the celebration of Robert Burns."
		},
		"location": 5,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 12,
		"next": 13,
		"previous": 11,
		"number": 11,
		"volume": 1,
		"pageNumber": "138",
		"text": {
			"headline": "Smugglers' caverns",
			"text": "Seven immense caverns, three of which were never wholly explored, were considered, by the smugglers who frequented them, as the most useful of all the works of the Solway,&mdash;the swallowing up of a revenue cutter, with all its hands on board, excepted.",
			"note": "The smuggling culture of the Solway has a significant literary heritage that also includes Walter Scott and later, S. R. Crockett."
		},
		"location": 6,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 13,
		"next": 14,
		"previous": 12,
		"number": 12,
		"volume": 1,
		"pageNumber": "141",
		"text": {
			"headline": "The Pauls' cottage",
			"text": "Under a large holly tree, which, with its polished leaves and shining berries, overshaded a small seat by the garden side, she found her mother on her knees,&mdash;her bare knees,&mdash;her hands spread, and her forehead touching the damp grass, humbling herself in prayer.",
			"note": "Jones's mother and sister both play important roles in the novel. The real-life cottage is today a museum."
		},
		"location": 5,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 14,
		"next": 15,
		"previous": 13,
		"number": 13,
		"volume": 1,
		"pageNumber": "144",
		"text": {
			"headline": "Smugglers' caverns",
			"text": "Near where the rock and ocean met, a light glimmered out of one of the caverns, and the laugh, and the shout, and the stormy joy of men’s tongues, were heard in one mingled din, coming sounding up the precipice.",
			"note": "The novel locates these caverns at Colvend (see e.g. 1.159) but seems to elide much of the distance between there and Arbigland."
		},
		"location": 6,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 15,
		"next": 16,
		"previous": 14,
		"number": 14,
		"volume": 1,
		"pageNumber": "172",
		"text": {
			"headline": "Solway coast",
			"text": "When Paul and Halliday left the cavern, they proceeded along the shore in silence for some time, and coming to an open space, which commanded a free view of the frith, they stood still at once, as if by mutual consent, to look on the splendour of the sea and land, which, brightened by the moon and her innumerable stars, seemed doubly glorious to eyes escaped from the gloom of a cavern.",
			"note": "There are a lot of such views in the novel, which is very interested in matters of the picturesque and the sublime."
		},
		"location": 7,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 16,
		"next": 17,
		"previous": 15,
		"number": 15,
		"volume": 1,
		"pageNumber": "179",
		"text": {
			"headline": "Old Siddick parish church",
			"text": "A portion of the kirk still rose grey amid its ranks of gravestones, and the whole, enclosed with a wall of rude masonry, glittered drearily amid the dewy moonlight.",
			"note": "This location marker is at Southwick Old Churchyard."
		},
		"location": 8,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 17,
		"next": 18,
		"previous": 16,
		"number": 16,
		"volume": 1,
		"pageNumber": "200",
		"text": {
			"headline": "Smugglers' caverns",
			"text": "When Lord Dalveen entered the Kelpie’s cavern, he walked up to Captain Corbie of the Wild Goose, as he lay on the ground muffled close in his cloak, and, shaking his shoulder with his foot, said, “Get up, man, don’t shame honesty and innocence; shew thy knave's face to one that knows thee.&mdash;Come, start, be sober, and listen to my words.”",
			"note": "Captain Corbie bears more than a passing resemblance to Dick Corsbane, captain of the Wildfire in Cunningham's final novel <i>Lord Roldan</i> (1836)."
		},
		"location": 6,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 18,
		"next": 19,
		"previous": 17,
		"number": 17,
		"volume": 1,
		"pageNumber": "207",
		"text": {
			"headline": "Ford",
			"text": "When Lord Dalveen paused to look for a moment on this beautiful glen, he had reached the middle of the brook, that here formed a wide pool bordered with iris, through which three huge steps of sandstone carried the passenger who was willing to spring a fathom at a time.",
			"note": "This location is apparently near the edge of Dalveen's estate (see 1.206) and so is close to the boundaries of Arbigland here."
		},
		"location": 9,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 19,
		"next": 20,
		"previous": 18,
		"number": 18,
		"volume": 1,
		"pageNumber": "219",
		"text": {
			"headline": "The Pauls' cottage",
			"text": "There was one little solitary spot on which the morning light seemed always willing to break, where a small cottage stood, the thrifty smoke of which rose into the morning air before the smoke of other houses.",
			"note": "Cunningham is developing the romantic and emotional charge of home in passages like this, as a precursor to a narrative concerned with dislocation."
		},
		"location": 5,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 20,
		"next": 21,
		"previous": 19,
		"number": 19,
		"volume": 1,
		"pageNumber": "228",
		"text": {
			"headline": "Howlet-howe",
			"text": "To the little lonesome house of Howlet-howe, standing in a green vale about two measured miles from the castle of Dalveen, a number of horsemen were seen riding about the eleventh hour of the day.",
			"note": "Exploring the novel's geography underlines the authenticating quality of a phase like 'about two measured miles'. The terms of empirical space are being used here simply as rhetorical effect."
		},
		"location": 10,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 21,
		"next": 22,
		"previous": 20,
		"number": 20,
		"volume": 1,
		"pageNumber": "257",
		"text": {
			"headline": "Solway sands",
			"text": "His horse, a fleet, and young, and lively animal, was unacquainted with such perils as now impended; and, dismayed at the sound of the rushing tide, and smarting in mouth and nostrils with the salt brine, plunged and startled, and refused to face the foaming tide-bar which every other minute came sweeping from side to side of the wide river.",
			"note": "As part of a funeral procession, Lord Dalveen and a local Cameronian called John Cargill are almost drowned by the incoming tide on the Solway sands here."
		},
		"location": 11,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 22,
		"next": 23,
		"previous": 21,
		"number": 21,
		"volume": 1,
		"pageNumber": "257-8",
		"text": {
			"headline": "Caerlaverock bank",
			"text": "The mourners, with the body, had now reached Caerlaverock bank&mdash;the horses shook the water from their flanks, and the riders, turning round and blessing themselves on their narrow escape, lamented their inability to aid their companions for whom there appeared no chance of life.",
			"note": "This episode, with its emphasis on the fast-moving Solway tides and quicksands, recalls Walter Scott's <i>Redgauntlet</i> (1824). Still, Cunningham's writing had been deeply associated with this coastline since his breakthrough in R. H. Cromek's <i>Remains of Nithsdale and Galloway Song</i> (1810)."
		},
		"location": 12,
		"zoom": 15,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 23,
		"next": 24,
		"previous": 22,
		"number": 22,
		"volume": 1,
		"pageNumber": "259",
		"text": {
			"headline": "Solway Firth",
			"text": "Meanwhile the whole sea of Solway, from shore to shore, was moving in life and beauty. Against the going and returning sails of many ships the sun threw its splendour, and made ten thousand moving mirrors amid the swelling and dimpling waters [...] while, following the salmon, which sought the pools where the groves of Dalswinton, Friar’s Carse, Blackwood, Closeburn, and Drumlanrig are shadowed, the porpoises appeared, raising their coal-black heads and glimmering eyes above the mass of waters.",
			"note": "Contemporary reviewers of <i>Paul Jones</i> praised Cunningham's poetic descriptions of nature."
		},
		"location": 13,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 24,
		"next": 25,
		"previous": 23,
		"number": 23,
		"volume": 1,
		"pageNumber": "260",
		"text": {
			"headline": "Caerlaverock bank",
			"text": "Within two ships’ lengths of the shore, yet still struggling with the tide, Lord Dalveen had arrived with his Cameronian friend, when the horse of the former, waxing furious and altogether ungovernable, wheeled round, and plunged backwards into the deeper waters.",
			"note": "Cunningham used Caerlaverock Castle and its surrounds as a location many times across his literary career."
		},
		"location": 12,
		"zoom": 15,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 25,
		"next": 26,
		"previous": 24,
		"number": 24,
		"volume": 1,
		"pageNumber": "263",
		"text": {
			"headline": "Martha Gideon's cottage",
			"text": "The owner sat at a small window which looked upon the river;&mdash;a large black silk hood covered her head, and shaded a face that was still beautiful in its decay,&mdash;a distaff was in her hand, from which she drew, or seemed to draw, a thread, for her eye was fixed on the page of “The Crumb of Comfort,” an ancient favourite among the lowland peasantry.",
			"note": "Michael Sparke's <i>The crums of comfort with godly prayers</i> (1628) was a popular devotional collection."
		},
		"location": 14,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 26,
		"next": 27,
		"previous": 25,
		"number": 25,
		"volume": 1,
		"pageNumber": "266",
		"text": {
			"headline": "Solway sands",
			"text": "When the funeral of John Joysan entered the river, it was at once seen by the peasantry, who crowded cliff and scaur, that nothing but diligence and the speed of the spur could carry the procession over before the return of the tide.",
			"note": "The novel now returns to the Solway sands episode from a different perspective."
		},
		"location": 11,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 27,
		"next": 28,
		"previous": 26,
		"number": 26,
		"volume": 1,
		"pageNumber": "271",
		"text": {
			"headline": "Caerlaverock bank",
			"text": "So eagerly had the young lady kept her eyes fixed on those who were in danger, that she had failed to observe a little boat, which, coming darting from a different part of the coast, and, urged by wind and oar, shot past the less manageable barge, and made for the place where the Cameronian and Lord Thomas still contended with the tide.",
			"note": "Jones, who is in command of this 'little boat', is an almost supernaturally talented sailor in this novel and an embodiement of both the seafaring culture of the Solway and of Britain at large."
		},
		"location": 12,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 28,
		"next": 29,
		"previous": 27,
		"number": 27,
		"volume": 1,
		"pageNumber": "279",
		"text": {
			"headline": "Caerlaverock Castle",
			"text": "“This is the forsaken mansion of many a chief renowned in Scottish story.” “It is a beautiful ruin,” said Lady Phemie, “and was once the most elegant baronial residence on the southern border.”",
			"note": "Caerlaverock Castle is a former stronghold of the Maxwells and had been abandoned since the seventeenth century. Among other works, it is the setting of Cunningham's closet drama <i>Sir Marmaduke Maxwell</i> (1822)."
		},
		"location": 15,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 29,
		"next": 30,
		"previous": 28,
		"number": 28,
		"volume": 1,
		"pageNumber": "288",
		"text": {
			"headline": "The Pauls' cottage",
			"text": "The walls alone remained,&mdash;the roof and all that the house contained lay in one molten mass of fiery embers, beside which his mother stood a fixed image of despair.",
			"note": "Not only has the house been burned down but Jones's sister Maud has been kidnapped."
		},
		"location": 5,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 30,
		"next": 31,
		"previous": 29,
		"number": 29,
		"volume": 1,
		"pageNumber": "289",
		"text": {
			"headline": "Moodie's Den",
			"text": "He passed a little onward to another pile of rocks, and entered a large cavern called Moodie’s Den, from affording shelter in ancient times to a robber of that name, and to whom the peasantry ascribed the murder of a lady of rank who was shipwrecked at the cavern's mouth.",
			"note": "This cavern is close beside the 'seven Caverns of Colvend'. This location marker is at the real-life Piper's Cave."
		},
		"location": 16,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 31,
		"next": 32,
		"previous": 30,
		"number": 30,
		"volume": 1,
		"pageNumber": "292",
		"text": {
			"headline": "Solway coast",
			"text": "He arrived at an open part of the coast, where the cottages of a few fishermen communicated a rank smell of fish to the midnight air. He undid one of their boats, fitted up a small sail, and, favoured by an easterly breeze, proceeded rapidly along the coast, looking anxiously into every creek and bay, with the hope of seeing the well-known ship which carried away his sister.",
			"note": "In its vision of Jones's abandonment of home, the novel negotiates between injustices done to him and what it suggests is his own selfish ambition."
		},
		"location": 17,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 32,
		"next": 33,
		"previous": 31,
		"number": 31,
		"volume": 1,
		"pageNumber": "296-7",
		"text": {
			"headline": "Dalveen Castle",
			"text": "Lord Dalveen lay in a small chamber [...] In his sleep he was busy with the actions of the night, and the scene which was presented to his fancy was one which had lately dwelt much on his thoughts.",
			"note": "There is a strong sense of proximity between dreaming, prophecy and reality in the novel."
		},
		"location": 2,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 33,
		"next": 34,
		"previous": 32,
		"number": 32,
		"volume": 1,
		"pageNumber": "318",
		"text": {
			"headline": "Macmittimus Hall",
			"text": "The mansion in which this Galwegian man of justice resided bore around it marks of the character of its inhabitant. The cry of poultry and the grunting of pigs became audible before Lady Emeline's antique coach approached the house nearer than a quarter of a mile.",
			"note": "Macmittimus the glutinous and cowardly magistrate is a point of comic relief. Cunningham gives various clues to the location of this house, particularly at 1.352."
		},
		"location": 18,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 34,
		"next": 35,
		"previous": 33,
		"number": 33,
		"volume": 1,
		"pageNumber": "352",
		"text": {
			"headline": "The Merse",
			"text": "Without any dread of an act of violence, or an attempt to escape, the officers conducted him along an extent of green upland pasture, nibbled close by innumerable sheep, and, joining company with a small quiet stream, they followed its winding course till they approached the sea, when the rivulet lost itself on a wide plain, called, in the dialect of the country, the Merse.",
			"note": "The Merse is a tidal wetland and now an important nature reserve."
		},
		"location": 19,
		"zoom": 15,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 35,
		"next": 36,
		"previous": 34,
		"number": 34,
		"volume": 1,
		"pageNumber": "357",
		"text": {
			"headline": "Macmittimus Hall",
			"text": "It was nigh midnight when a loud knock shook the door of Macmittimus-hall and awakened the Justice from a dream in which his drowsy fancy mingled the events of the day with the cloudy future.",
			"note": "Again dreaming is a important correlative to and component of reality here."
		},
		"location": 18,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 36,
		"next": 37,
		"previous": 35,
		"number": 35,
		"volume": 1,
		"pageNumber": "365-6",
		"text": {
			"headline": "Solway coast",
			"text": "He wandered in silence and in deep thought along the shore of the Solway; the world was all before him; his country had cast him from her bosom [...] He looked to ocean, to land, and sky, and threw himself down on the shelf of a rough and almost inaccessible rock, with the sea chafing at the base [...] A thousand various thoughts rushed upon him, and he gradually fell into that slumberous and twilight state in which imagination and reality share the man between them.",
			"note": "This is a good example of the novel's coastal sense of place and emphasis on the imagination."
		},
		"location": 21,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 37,
		"next": "38",
		"previous": 36,
		"number": 36,
		"volume": 1,
		"pageNumber": "379-80",
		"text": {
			"headline": "Jones's ship",
			"text": "The ship got immediately under weigh, and her white sails were displayed against the moon. As she moved steadily along, one of her cannon was fired shoreward; an eighteen-pound ball strike the summit of the Sea-eagle rock; the hoary pinnacle emitted fire and trembled for a moment. It drops from its place, a height of an hundred feet, and plunged into the ocean.",
			"note": "The end of volume 1 gestures towards the more expansive geography and the warfare to come."
		},
		"location": 20,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 38,
		"next": "39",
		"previous": 37,
		"number": 37,
		"volume": 2,
		"pageNumber": "1",
		"text": {
			"headline": "Dalveen Castle",
			"text": "Autumn had died into winter, winter had quickened into spring, and spring was nigh gone, as Lord Dalveen stood one evening on his castle-top enjoying the freshness of the sea-breeze and the beauty of the night; there were many stars in the sky, and many pleasant sounds on the earth.",
			"note": "This follows a chapter epigraph from William Wordsworth's 'The Seven Sisters; or, the Solitude of Binnorie'."
		},
		"location": 2,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 39,
		"next": "40",
		"previous": 38,
		"number": 38,
		"volume": 2,
		"pageNumber": "15",
		"text": {
			"headline": "Solway Firth",
			"text": "As Lord Dalveen spoke, the ships approached close to one another; a single shot was fired from each,&mdash;the balls were heard dipping in the waters in different directions, and then succeeded a close and incessant cannonade, which made the hills and the shores re-echo.",
			"note": "Some early reviews of <i>Paul Jones</i> complained that Cunningham was not sufficiently versed in seafaring life."
		},
		"location": 13,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 40,
		"next": "41",
		"previous": 39,
		"number": 39,
		"volume": 2,
		"pageNumber": "18",
		"text": {
			"headline": "Solway coast",
			"text": "The wind and tide wafted slowly towards shore the wreck of battle; the waves were white with splinters and with fragments of sails; and as each successive dash of the tide conveyed the relics of the fight to the shore, the peasantry uttered a cry of surprise or sorrow.",
			"note": "This battle, with Jones fighting a British sloop called the 'Charlotte', is fictitious. However, war in this view, is inseparable from the maritime life of the coastline. Note: the coast southward from the Mermaid-bay is 'bare and unsheltered by rock or tree' at 2.20, which is rather different from the description at 1.27."
		},
		"location": 22,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 41,
		"next": "42",
		"previous": 40,
		"number": 40,
		"volume": 2,
		"pageNumber": "24",
		"text": {
			"headline": "Widow's cottage",
			"text": "The domestics, who bore the young man in their arms, looked to Lady Phemie&mdash;then carried him into the widow's cottage&mdash;gave him dry clothes, a drink of warm rum and water&mdash;and obliged him to wrap himself up in blankets, and lie down on an oaken settle, which sat near the fire.",
			"note": "Lady Phemie Dalzell is Lord Dalveen's cousin."
		},
		"location": 23,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 42,
		"next": "43",
		"previous": 41,
		"number": 41,
		"volume": 2,
		"pageNumber": "33",
		"text": {
			"headline": "The Pauls' new cottage",
			"text": "From the fight in Solway-bay, the echo of the cannon, and the bustle of the peasantry gathering from the tide the relics of the battle, I must now conduct my reader to the presence of the mother of Paul Jones, who sat at the door of a very clean and handsome cottage, with its whited walls and windows gleaming amid the pale light of the evening.",
			"note": "Having been burned down in volume 1, the Pauls' cottage has now been rebuilt."
		},
		"location": 24,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 43,
		"next": "44",
		"previous": 42,
		"number": 42,
		"volume": 2,
		"pageNumber": "50",
		"text": {
			"headline": "Darksome glen",
			"text": "Into this darksome glen it was plain, from the crashing bough and the loud cry, that Paul had descended; and as he knew every turn of the stream&mdash;every jutting crag&mdash;and every tree and thicket&mdash;even a mother’s fears did not anticipate for him either captivity or death.",
			"note": "Cunningham uses a mix of real places, named-imaginery places and these more generalised terms. This 'darksome glen' is a conundrum for this map, since it extends from the Pauls' house to the sea at the Seven Caverns – in other words, it ignores empirical geography. It is represented close to the birthplace cottage here."
		},
		"location": 25,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 44,
		"next": "45",
		"previous": 43,
		"number": 43,
		"volume": 2,
		"pageNumber": "57",
		"text": {
			"headline": "Macmittimus Hall",
			"text": "The well-picked bones of a pair of his fattest capons were piled up around his plate,&mdash;the relics of an enormous pudding still smoked on an ashet,&mdash;the unsubsided foam of strong home brewed ale was visible in a large silver flagon,&mdash;while a couple of long-necked bottles, curiously sealed and cobwebbed, awaited the signal for the corks to spring. There sat Patrick Macmittimus,&mdash;the day’s toil rewarded by the evening's enjoyment,&mdash;beyond the reach of malice, and superior to fortune.",
			"note": "Gluttony, sometimes troped as English in the novel, forms part of a structure of privilege critiqued by Cunningham."
		},
		"location": 18,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 45,
		"next": "46",
		"previous": 44,
		"number": 44,
		"volume": 2,
		"pageNumber": "64",
		"text": {
			"headline": "Neighbouring castle",
			"text": "It happened on the evening that preceded the battle in the bay, that Lord Dalveen accepted an invitation to the bridal of a neighbouring laird, who united himself with a very sweet and modest young woman.",
			"note": "This marker is at the OS map's rendering of Closeburn Castle (itself inaccurate) to enable a rough direction of travel back to Arbigland via the Dalgonar-glen."
		},
		"location": 26,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 46,
		"next": "47",
		"previous": 45,
		"number": 45,
		"volume": 2,
		"pageNumber": "77",
		"text": {
			"headline": "Dalgonar-glen",
			"text": "My way homeward lies through Dalgonar-glen&mdash;a spot which the fairies love, and one of the loveliest nooks the moon shines upon.",
			"note": "This location also appears in Cunningham’s book-length poem <i>The Maid of Elvar</i> (1832). Many real and fictional southwest Scottish settings recur in his works. This location marker is at ‘Dalgoner/Dalgonar Linn’ in Dunscore parish; there is also a Dalgonar Cleuch in Penpont parish."
		},
		"location": 27,
		"zoom": 15,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 47,
		"next": "48",
		"previous": 46,
		"number": 46,
		"volume": 2,
		"pageNumber": "109",
		"text": {
			"headline": "Dalveen Castle",
			"text": "Lord Thomas was surprised to observe a couple of rustic sentinels posted at his castle-gate, armed with such weapons as they had caught up in the haste of midnight-preparation.",
			"note": "If Dalgonar indicates the real Dalgonar in Dunscore parish and if Dalveen Castle is a version of Arbigland, then the distance between them has been compressed significantly."
		},
		"location": 2,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 48,
		"next": "49",
		"previous": 47,
		"number": 47,
		"volume": 2,
		"pageNumber": "124",
		"text": {
			"headline": "Solway coast",
			"text": "From Colvend to Kirkcudbright the coast of the firth of Solway is winding and varied; stretching along, in one place, a flat muddy margin, strewn with stones and drift-grass; in another, ascending into sharp and lofty cliffs&mdash;the abode of the wild fowl that live by the water.",
			"note": "The sections of the novel in southwest Scotland are, in general, somewhat more grounded in empirical geography than those set elsewhere. This is unsurprising given Cunningham's local knowledge of the area – he was born and raised in Dumfriesshire."
		},
		"location": 28,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 49,
		"next": "50",
		"previous": 48,
		"number": 48,
		"volume": 2,
		"pageNumber": "125",
		"text": {
			"headline": "Lord Roland's tower",
			"text": "He stood a little space looking and pondering on the scene before him,&mdash;he then retraced his steps a short way&mdash;passed the stream&mdash;found his way through a thick wood, which lined all the western bank&mdash;and reached without interruption a rocky mount, which, feathered with stunted trees to the summit, displayed over the wood the remains of an ancient tower, which one of the lords of Galloway had built and garrisoned for the protection of his favourite vale of Orr.",
			"note": "This marker is at Orchardton tower though the tower in the novel is closer to the sea (see 2.136)."
		},
		"location": 29,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 50,
		"next": "51",
		"previous": 49,
		"number": 49,
		"volume": 2,
		"pageNumber": "155",
		"text": {
			"headline": "Water's edge",
			"text": "Paul, with a free step and a bold look, sought the side of Gilbert the mariner, as that worthy stood on the water-edge and whistled on his comrades.",
			"note": "Cunningham often describes Jones in these proudly independent terms. Jones's wilful nature is the root of his antiheroism in the novel."
		},
		"location": 30,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 51,
		"next": "52",
		"previous": 50,
		"number": 50,
		"volume": 2,
		"pageNumber": "160",
		"text": {
			"headline": "Solway Firth",
			"text": "But he had singled out another victim before Whitehaven was doomed to feel his descent, and he stood on the deck looking to the sea, and the dim-seen outline of the coast and mountains, when one of his officers called his attention to an armed sloop, which, with the wind filling her sail, was coming scudding down the bay, directing her course towards him.",
			"note": "In general, it is remarkable how little Cunningham cleaves to the historical record in his treatment of Jones's life."
		},
		"location": 31,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 52,
		"next": "53",
		"previous": 51,
		"number": 51,
		"volume": 2,
		"pageNumber": "169",
		"text": {
			"headline": "Whitehaven harbour",
			"text": "The sloop stood in towards the harbour; and, as she had all the tokens of her warlike nature carefully concealed, and the British colours flying, no challenge was expected or dreaded. Paul himself stood on the deck, moving the vessel onwards by word and by sign.",
			"note": "The attack on Whitehaven in April 1778 is among Jones's best-known actions on behalf of the Revolutionary United States."
		},
		"location": 32,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 53,
		"next": "54",
		"previous": 52,
		"number": 52,
		"volume": 2,
		"pageNumber": "173",
		"text": {
			"headline": "Lowther Arms",
			"text": "War had excited in Whitehaven what it had long excited fortunately in other British towns, a wonder what people they could be we were making war upon; and in the blacksmith's forge, and in the numerous alehouses, clubs and groups of dusty and drowthy politicians assembled to settle the balance of empire and lose their own.",
			"note": "There is a present-day Lowther Arms further out of town. This location marker is on Lowther Street."
		},
		"location": 86,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 54,
		"next": "55",
		"previous": 53,
		"number": 53,
		"volume": 2,
		"pageNumber": "179",
		"text": {
			"headline": "Guard house",
			"text": "“You will see a strange sight soon,” said the mariner, “if you arm not and man not your battery with the speed of light!&mdash;Your shipping and your town will be in flames in ten minutes! Paul Jones and thirty armed men at his back are now in your harbour!”",
			"note": "Jones's 1778 cruise in USS Ranger provoked public outcry in Britain and a range of new coastal defences. Cunningham's vision is of a sleepy and overconfident Whitehaven taken completely by surprise."
		},
		"location": 85,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 55,
		"next": "56",
		"previous": 54,
		"number": 54,
		"volume": 2,
		"pageNumber": "181",
		"text": {
			"headline": "Battery",
			"text": "When Paul landed in silence at the foot of the battery, he intrusted his companion with the combustibles necessary for ensuring the destruction of the shipping, retaining to himself what seemed the more arduous task, the escalade of the battery and the disarming of the guard. He was the first who leaped upon the parapet, and, gazing eagerly round, spiked up with great rapidity all the cannon, and struck the flag which floated in the morning wind.",
			"note": "Jones's landing party succeeded in spiking the guns at Whitehaven."
		},
		"location": 87,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 56,
		"next": "57",
		"previous": 55,
		"number": 55,
		"volume": 2,
		"pageNumber": "185-6",
		"text": {
			"headline": "Whitehaven habour",
			"text": "The blazing ships passed them distant three oars’ length, and dashed away southward, arrayed in all the majesty of flames [...] One was filled with sugar, the other with rum; and the fire, seizing upon these rich and obedient combustibles, sent two tall pyramids of light into the morning air, which, surpassing far the brightness of the dawn, showed the flocks of sheep reposing on Criffel side, the sea-fowl slumbering along the shores, and the whole wide and winding bay from Caerlaverock to the Isle of Man.",
			"note": "In reality, the attempt to burn the shipping in Whitehaven was mostly unsuccessful."
		},
		"location": 32,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 57,
		"next": "58",
		"previous": 56,
		"number": 56,
		"volume": 2,
		"pageNumber": "194",
		"text": {
			"headline": "Irish Sea",
			"text": "Paul stood himself on the prow&mdash;his cloak flung from him&mdash;his cutlass in his hand, and a pair of gold-mounted pistols shining in his belt. The Isle of Man was distant some three cables' length when the sloops came together.",
			"note": "A cable length is a specifically nautical unit of measurement and is part of Cunningham's attempt to evoke the language of sea life here."
		},
		"location": 33,
		"zoom": 10,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 58,
		"next": "59",
		"previous": 57,
		"number": 57,
		"volume": 2,
		"pageNumber": "200",
		"text": {
			"headline": "Solway at the mouth of the Urr",
			"text": "They passed the mouth of the Orr; and the tower, in which Paul had conversed with Durisdeer and the pirate, peered rough and grey from its rocks and woods.",
			"note": "The familiar Galloway landscape is central to the novel's attempt to develop the emotional impact of Jones's actions."
		},
		"location": 34,
		"zoom": 10,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 59,
		"next": "60",
		"previous": 58,
		"number": 58,
		"volume": 2,
		"pageNumber": "203",
		"text": {
			"headline": "Entrance to Kirkcudbright Bay",
			"text": "A mild wind impelled them on, and, passing the promontory which forms the eastern guard to the entrance of the bay of the Dee, the whole scene was revealed to their eyes as they burst at once into the immense basin where the river unites with the ocean.",
			"note": "The river Dee flows from Loch Dee in the middle of what is now Galloway Forest Park to Kirkcudbright Bay."
		},
		"location": 35,
		"zoom": 10,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 60,
		"next": "61",
		"previous": 59,
		"number": 59,
		"volume": 2,
		"pageNumber": "209-10",
		"text": {
			"headline": "St. Mary's Isle",
			"text": "Paul, leaving an armed protection for the boats, sprang ashore, and, at the head of his men, proceeded at a rapid step towards the house of the Earl of Selkirk.",
			"note": "Jones's intention in landing at St. Mary's Isle was to take the Earl of Selkirk hostage. The Earl was not at home. The novel romanticises St. Mary Isle as a tidal island connected by only 'a neck of land dry' (2.237) to the rest of the landscape. Cunningham might have been inspired in this by nearby tidal Heston Island."
		},
		"location": 36,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 61,
		"next": "62",
		"previous": 60,
		"number": 60,
		"volume": 2,
		"pageNumber": "249",
		"text": {
			"headline": "Entrance to Kirkcudbright Bay",
			"text": "Nor was she gone a moment too soon: the tide, which fills the bay to the depth of twenty-four feet, had receded fast, and the bar which extends along the entrance, and which has proved fatal to so many fine ships, lay just deep enough to allow the Ranger to float freely over.",
			"note": "Again tidal motion provides a plot device here, suggestive of the close relationship between landscape and narrative in <i>Paul Jones</i>."
		},
		"location": 37,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 62,
		"next": "63",
		"previous": 61,
		"number": 61,
		"volume": 2,
		"pageNumber": "252",
		"text": {
			"headline": "Dalveen Castle",
			"text": "“There, Lord Dalveen&mdash;there,” he said,&mdash;“read&mdash;see what the folly of our rulers has brought upon us!&mdash;war, which is so pleasant in a gazette-account, has come with its dismal sound to our own door.&mdash; Read, my Lord!”",
			"note": "Jones actions in 1778-9 were reported on widely by the press, including a variety of wild speculations, misunderstandings and fears."
		},
		"location": 2,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 63,
		"next": "64",
		"previous": 62,
		"number": 62,
		"volume": 2,
		"pageNumber": "261",
		"text": {
			"headline": "Upland",
			"text": "At last, emerging from the solitary glen, and ascending to the upland, they shaped their course over wild moorlands, the abode of the heathcock and curlew, and saw a brown wilderness of heath waving for many a long Scottish mile around them.",
			"note": "This sequence seems to contract together upland and coastal parts of Galloway (see e.g. 2.264). Certainly the landscape of the novel is unpredictable and dynamically changeable."
		},
		"location": 38,
		"zoom": 13,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 64,
		"next": "65",
		"previous": 63,
		"number": 63,
		"volume": 2,
		"pageNumber": "267",
		"text": {
			"headline": "Kirkcudbright",
			"text": "Kirkcudbright, town and bay, soon lay before our equestrian acquaintances, and they were struck with the calm diligence of the townsmen, who were barricading the principal entrances from the bay, filling the windows with marksmen, and placing the old and ruinous castle in a posture to annoy, if not to resist, the invaders.",
			"note": "The real-life John Paul Jones was imprisoned in Kirkcudbright Tolbooth in 1790 on a murder charge, likely a key episode in provoking his emigration to America."
		},
		"location": 39,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 65,
		"next": "66",
		"previous": 64,
		"number": 64,
		"volume": 2,
		"pageNumber": "283",
		"text": {
			"headline": "Solway/Irish Sea",
			"text": "When Paul and his companions passed from the bay of Saint Mary's Isle, the vessel stood right away into the centre of the sea, between the Irish and the Scottish shores.",
			"note": "A storm is about to descend that will make negotiating these politically-charged coastal waters extremely difficult."
		},
		"location": 40,
		"zoom": 8,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 66,
		"next": "67",
		"previous": 65,
		"number": 65,
		"volume": 2,
		"pageNumber": "311",
		"text": {
			"headline": "Mull of Galloway",
			"text": "At this moment, Macgubb sprang forward, seized him by the arm, and, holding his hand to the northward, cried,&mdash;“The Mull!&mdash;the Mull!&mdash;she will be crushed like a cockle-shell!” Paul looked hastily up&mdash;sprang to the helm&mdash;changed the course in a moment&mdash;and, aided by an alert crew, sent the sloop dashing away from the shore.",
			"note": "Robin Macgubb is Jones's key lieutenant in the novel. His extreme devotion to Galloway allows Cunningham to underline the tragedy of Jones's story."
		},
		"location": 41,
		"zoom": 10,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 67,
		"next": "68",
		"previous": 66,
		"number": 66,
		"volume": 2,
		"pageNumber": "314",
		"text": {
			"headline": "Irish Sea",
			"text": "The shore of Ireland, with its towering rocks and deep bays, appeared ahead; while, on the right hand and on the left, the coasts of Scotland and England receded slowly, and the little Isle of Man, with its rocks and its ruins, lay in the rear.",
			"note": "The novel positions the Solway and surround area as a key meeting-point between different regional and national cultures."
		},
		"location": 42,
		"zoom": 8,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 68,
		"next": "69",
		"previous": 67,
		"number": 67,
		"volume": 2,
		"pageNumber": "334",
		"text": {
			"headline": "Solway coast",
			"text": "The day was clear, the wind was gentle, and the coast, from which they were but a short way distant, was free from dangerous rocks and other impediments to naval operations. A small harbour, which ran into the country in the form of a crescent, with an ancient town rising on its extremity, and an old castle, perched on a precipice which commanded the entrance, might be some short mile distant on the right.",
			"note": "This is an example of Cunningham's unpredictable decisions to name or not name his locations. Contextual information suggests this 'ancient town' is again Kirkcudbright."
		},
		"location": 43,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 69,
		"next": "70",
		"previous": 68,
		"number": 68,
		"volume": 2,
		"pageNumber": "346-7",
		"text": {
			"headline": "Kirkcudbright",
			"text": "The din of battle, while it called the populace to arms, furnished them with dauntless rather than disciplined leaders, and the tower and the bay were filled with men eager for the success of their countrymen, from whose prowess they expected deliverance from danger, and to whose strength they were willing to add their own.",
			"note": "The battle being reimagined here is Jones's most famous engagement, against HMS Serapis in September 1779, while in command of USS Bonhomme Richard."
		},
		"location": 39,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 70,
		"next": "71",
		"previous": 69,
		"number": 69,
		"volume": 2,
		"pageNumber": "353",
		"text": {
			"headline": "Solway coast",
			"text": "The moon, as if obedient to his wishes, rose suddenly over the hills of Cumberland, the sea gleamed as far as the eye could reach, and, to fulfil all the wishes of his heart at once, the Serapis and the Bon Homme Richard, with their companions, suddenly renewed their contest.",
			"note": "This engagement is known as the Battle of Flamborough Head. Cunningham strikingly moves it from the Yorkshire coast to the Solway to emphasise Jones's tortured relationship to home."
		},
		"location": 44,
		"zoom": 10,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 71,
		"next": "72",
		"previous": 70,
		"number": 70,
		"volume": 3,
		"pageNumber": "8",
		"text": {
			"headline": "Le Havre",
			"text": "Paul felt that all the martial vanity of his nature was in arms to welcome this general expression of applause and wonder in the good people of Havre de Grace. He stood on the prow, subduing the swelling of his heart, and gazed on town and bay and people with the eye of a conqueror, assuming something of the port of a monarch of the sea.",
			"note": "The real-life Jones achieved considerable celebrity in his own lifetime and subsequently became the subject of a whole variety of nineteenth-century texts."
		},
		"location": 45,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 72,
		"next": "73",
		"previous": 71,
		"number": 71,
		"volume": 3,
		"pageNumber": "20",
		"text": {
			"headline": "Road to Paris",
			"text": "Paul left Havre-de-Grace behind, and pursued his way on horseback towards Paris. He saw on all sides as he went the tokens of ignorance and despotism.",
			"note": "The novel's portrayal of France moves from courtly decadence to revolutionary terror."
		},
		"location": 46,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 73,
		"next": "74",
		"previous": 72,
		"number": 72,
		"volume": 3,
		"pageNumber": "29",
		"text": {
			"headline": "Paris",
			"text": "They now reached the middle of the city, and men of more dignity and ladies of greater decorum came upon the scene,&mdash;the avant couriers of the gay and luxurious court of Louis the Sixteenth. But though of more elevated rank and better education than the mob of Parisians through whom he had in a manner fought his way, the character of the nation was stamped visibly and alike on all.",
			"note": "Cunningham offers a determined view of national character."
		},
		"location": 47,
		"zoom": 13,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 74,
		"next": "75",
		"previous": 73,
		"number": 73,
		"volume": 3,
		"pageNumber": "31",
		"text": {
			"headline": "Marquis de La Fayette's house",
			"text": "I [...] hasten to the side of my hero, who, with his friend of the Mull, has escaped from the suffocating affection of the mob, and outlived the laborious civilities of three several bands of courtiers, and found refuge in the house of the young Marquis la Fayette.",
			"note": "At 2.32 the Marquis welcomes Jones to 'La Fayette'. This might indicate some confusion on Cunningham's part: Aix-La-Fayette is in Auvergne. This location marker is at Hôtel de Noailles, which belonged to the Marquis's wife's family."
		},
		"location": 48,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 75,
		"next": "76",
		"previous": 74,
		"number": 74,
		"volume": 3,
		"pageNumber": "49",
		"text": {
			"headline": "French court",
			"text": "Louis, dressed like a private gentleman, and surrounded by his courtiers, sat and listened to the diplomatic account of the battle from the lips of the minister of his marine; and, even in a matter so unimportant as a contest between two frigates, the national vanity and desire of lessening all merit which was not of French growth appeared very visible.",
			"note": "There is quite a lot of unfortunate Gallophobia in the novel."
		},
		"location": 49,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 76,
		"next": "77",
		"previous": 75,
		"number": 75,
		"volume": 3,
		"pageNumber": "67",
		"text": {
			"headline": "Marquis de La Fayette's house",
			"text": "Paul parted with the Philadelphian sage, and returned to the house of la Fayette. Young, brave and vain, buoyant with enthusiasm, and confident in his courage and fortune, he would not allow the cloud which the other had raised to darken the bright and onward path which his imagination presented; he entered the dwelling of his friend with a face radiant with pleasure, and with feet that hardly felt the floor.",
			"note": "The 'sage' in question is Benjamin Franklin, who is among the key cameos in <i>Paul Jones</i>."
		},
		"location": 48,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 77,
		"next": "78",
		"previous": 76,
		"number": 76,
		"volume": 3,
		"pageNumber": "70",
		"text": {
			"headline": "French court",
			"text": "Even the Dutchess [sic] of Oriflame felt that his reputation was yielding to the inconstancy of fortune, and she, in the condescending spirit of her sex, had never left his side whilst his name shed a halo about her; but now, in the prudence of court-coquetry, she sought to retreat from him on whom the ministers looked coldly, and whom the King called his friend.",
			"note": "Cunningham is much less interested in detailed description of, for example, the Paris setting than he is in the Galloway landscape."
		},
		"location": 49,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 78,
		"next": "79",
		"previous": 77,
		"number": 77,
		"volume": 3,
		"pageNumber": "71-2",
		"text": {
			"headline": "Jones's Paris residence",
			"text": "As Paul entered his chamber he met Macgubb; the face of the man of Mull was radiant with smiles, and a most provoking air of mingled importance and curious intelligence lurked in his looks.",
			"note": "This location marker is at Hôtel de Valentinois in Passy, where Jones stayed on multiple occasions."
		},
		"location": 50,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 79,
		"next": "80",
		"previous": 78,
		"number": 78,
		"volume": 3,
		"pageNumber": "76",
		"text": {
			"headline": "French court",
			"text": "To the court Paul accordingly went; he had that morning found the resolution to which the Dutchess urged him; he found many courtiers assembled around Landais and Ricot. The sunshine of royal favour had shifted from Paul and fallen on them, and, taking advantage of their good fortune, they filled the court with details of the battle between them and the English little to the advantage of Paul, and very favourable to their own conduct.",
			"note": "The real-life Jones became frustrated in his attempts to secure preferment, whether dealing with the American, French or, later, Russian power structures."
		},
		"location": 49,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 80,
		"next": "81",
		"previous": 79,
		"number": 79,
		"volume": 3,
		"pageNumber": "80",
		"text": {
			"headline": "West Indies",
			"text": "For many days and nights the ship flew onward in her course with a constant and unremitting flight. A change began to be felt in the air,&mdash;the wind came with a warmer gust,&mdash;sugar and spice slightly perfumed the air,&mdash;the sun gleamed more brightly down,&mdash;the sky grew more serene and cloudless,&mdash;they were passing the West India isles.",
			"note": "Cunningham develops a much fuller view of the Carribean in his final novel, <i>Lord Roldan</i> (1836)."
		},
		"location": 51,
		"zoom": 5,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 81,
		"next": "82",
		"previous": 80,
		"number": 80,
		"volume": 3,
		"pageNumber": "81-2",
		"text": {
			"headline": "Boston",
			"text": "Twenty tongues at once shouted “Boston, Boston!” and the Americans rushed by scores upon the deck, and gazed with gladdened eyes on their native land. [...] As Paul moved closer to Boston, he observed the coast bestrewn with the relics of ships and the bodies of mariners and soldiers.",
			"note": "While the Americans show their attachment to home here, Revolutionary Boston is revealed as a bloody battleground."
		},
		"location": 52,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 82,
		"next": "83",
		"previous": 81,
		"number": 81,
		"volume": 3,
		"pageNumber": "88",
		"text": {
			"headline": "Boston Hall of Representatives",
			"text": "The citizens into whose presence Paul was conducted were in number about forty, armed with pistols and swords. Some of them were wounded, and all of them appeared to have been personally involved in the late successful defence of their native place.",
			"note": "This location marker is at the Old State House."
		},
		"location": 53,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 83,
		"next": "84",
		"previous": 82,
		"number": 82,
		"volume": 3,
		"pageNumber": "93",
		"text": {
			"headline": "Elisha Boote's house",
			"text": "Paul proved the hospitality of the Bostonian till the sun went down,&mdash;a period of enjoyment which dwelt long in the memory of the Galwegian.",
			"note": "The fictional Elisha Boote is described as 'President of the select men of Boston' (3.92)."
		},
		"location": 54,
		"zoom": 15,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 84,
		"next": "85",
		"previous": 83,
		"number": 83,
		"volume": 3,
		"pageNumber": "94",
		"text": {
			"headline": "Grove",
			"text": "The sun had gone down, and a twilight warm and balmy had succeeded, when Paul and Macgubb reached a grove of fruit-trees about a gun-shot from Boston, a spot where they were to find their promised guides.",
			"note": "The novel now enters an archetypal American landscape that makes almost no attempt to adhere to empirical space, compressing necessarily great distances into the novel's journey. What follows here loosely orients some of the most important locations."
		},
		"location": 55,
		"zoom": 13,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 85,
		"next": "86",
		"previous": 84,
		"number": 84,
		"volume": 3,
		"pageNumber": "104",
		"text": {
			"headline": "River",
			"text": "They journeyed in silence for several hours, till they reached a winding line of lofty trees, through among the massy stems of which the waters of a deep and broad river sparkled clear in the moonlight.",
			"note": "Very few locations are named in the American section, which also contains what would now be considered highly offensive material on Native Americans."
		},
		"location": 56,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 86,
		"next": "87",
		"previous": 85,
		"number": 85,
		"volume": 3,
		"pageNumber": "121",
		"text": {
			"headline": "Pastoral district",
			"text": "They all landed in safety, rubbed their horses carefully down, and pursued their journey, directing their course towards a range of woodland hills which swelled suddenly up from the vast plains, through the centre of which the river winded. The improving hand of man was not visible in the land,&mdash;it seemed a pastoral district. The ground had never been severed by the ploughshare, nor the primitive trees profaned by the axe.",
			"note": "Early reviews of <i>Paul Jones found</i> it to be excessively fantastical. Certainly the passage through a sequence of loosely rendered American settings here is bewildering."
		},
		"location": 57,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 87,
		"next": "88",
		"previous": 86,
		"number": 86,
		"volume": 3,
		"pageNumber": "123",
		"text": {
			"headline": "Green hill",
			"text": "They quitted this ominous track, dived more deeply into the desert, made their way through many a winding glade, and, emerging a little after midnight from the thick wilderness, ascended to the summit of an abrupt green hill which commanded an extensive view over the country.",
			"note": "The novel has sympathy with the American Revolution though it is suspicious of the politics of 'liberty', not least as regards the issue of slavery."
		},
		"location": 58,
		"zoom": 11,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 88,
		"next": "89",
		"previous": 87,
		"number": 87,
		"volume": 3,
		"pageNumber": "133",
		"text": {
			"headline": "Fort",
			"text": "He beheld another valley, more beautiful than the one he had passed,&mdash;the extremity was commanded by a lofty fort, on which the British colours flew; around it he saw the lines of the besiegers' entrenchments, and rows of cannon; while, rocking securely in a bend of the stream, a British sloop of war lay with her side to the bank, commanding, where the grove terminated, the upper valley.",
			"note": "There are echoes of the Siege of Yorktown here, though this is evidently not a retelling of that decisive battle. This location marker has been placed to reflect the 'bend' in the river."
		},
		"location": 59,
		"zoom": 13,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 89,
		"next": "90",
		"previous": 88,
		"number": 88,
		"volume": 3,
		"pageNumber": "172",
		"text": {
			"headline": "Boundless plain",
			"text": "From the deep overshadowing woods they now entered upon a boundless plain, where the grass was browned by the summer sun, and over which the wild elk seldom bounded, where the panther never roamed, and over which the wild pigeons unwillingly flew. Lord Dalveen saw, or thought he saw, the dim outlines of the distant mountains.",
			"note": "Cunningham is evidently thinking of the Great Plains west of the Mississippi, but the map retains some continuity of the direction of travel. The novel's descriptions of southwest Scotland are often changeable and imaginative but this is bordering on a purely gestural or symbolic use of space."
		},
		"location": 60,
		"zoom": 10,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 90,
		"next": "91",
		"previous": 89,
		"number": 89,
		"volume": 3,
		"pageNumber": "180",
		"text": {
			"headline": "Immense river",
			"text": "“Why this is a sea and not a river, Wulik,” said Lord Dalveen.",
			"note": "This river is not the Ohio (see 3.183) although at 3.254 Macgubb claims to have seen the Delaware, the Ohio and the Mississippi."
		},
		"location": 61,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 91,
		"next": "92",
		"previous": 90,
		"number": 90,
		"volume": 3,
		"pageNumber": "182",
		"text": {
			"headline": "Mountain pass",
			"text": "The sun was sinking behind the everlasting woods, when Lord Dalveen and Wulik, alighting from their wearied horses, stood on the summit of a long range of lofty hills, and looked down upon an immense vale spread out in cultivated and pastoral beauty at their feet.",
			"note": "This 'pass which leads to their almost inaccessible country’ (3.160) takes us into a kind of Galloway enclave or cult in the wildnerness, being ruled by Jones's sister Maud who was earlier kidnapped by pirates. This is indicative of Cunningham's preoccupation with the local within and against a global context."
		},
		"location": 62,
		"zoom": 10,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 92,
		"next": "93",
		"previous": 91,
		"number": 91,
		"volume": 3,
		"pageNumber": "187",
		"text": {
			"headline": "Galloway enclave",
			"text": "As he advanced, he was struck by the silence of the place, when all at once the sound of psalmody arose, not in the solitary voice of an individual, but in the united voices of many; he recognised at once the solemn and simple worship of his native land, and a devout feeling came for the time over him, on hearing Scottish devotion lifting up her voice so far from home.",
			"note": "The Galloway colonists are said to have recently 'broke the strength of the Delawares' (3.160). This location marker is in land ceded to the US in 1795, slightly later than the events here are probably supposed to take place."
		},
		"location": 63,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 93,
		"next": "94",
		"previous": 92,
		"number": 92,
		"volume": 3,
		"pageNumber": "217-18",
		"text": {
			"headline": "Bay",
			"text": "They journeyed on, resting during the night, and riding by day, and holding wayward conversations, till they came to a wide and noble bay, in which a small armed vessel lay at anchor.",
			"note": "Lord Dalveen is travelling in the company of Wulik here, who is partly Native American and partly of Galloway descent. Characters like Wulik suggest a colonial version of the Romance trope by which strangers turn out to be connected or known to the protagonists."
		},
		"location": 64,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 94,
		"next": "95",
		"previous": 93,
		"number": 93,
		"volume": 3,
		"pageNumber": "232-3",
		"text": {
			"headline": "Generals' meeting",
			"text": "Gang onwards, Captain Paul Jones, till ye come to yon remnant of the ancient wilderness,&mdash;see, the moon shows you the wood-pigeons roosting thick on the tree-tops. There, with the green sod under them, the bright stars aboon them, an hundred torches and three thousand drawn swords gleaming around them, will ye find some aughteen or twenty carles talking about liberty and equality, and other bonnie and impracticable things.",
			"note": "George Washington is another of the significant cameos in the novel."
		},
		"location": 65,
		"zoom": 13,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 95,
		"next": "96",
		"previous": 94,
		"number": 94,
		"volume": 3,
		"pageNumber": "244-5",
		"text": {
			"headline": "Off Ochakov",
			"text": "Look on yon armed ship; her sails are filled by a stiff breeze, and she goes snoring gladsomely through the foaming element with all her mariners on board. […] That sea is the Liman,&mdash;those are the Turkish towers of Oczakow; and the flag under which Paul Jones draws his sword bears no longer the stripes and stars of America, but the black eagle of all the Russias.",
			"note": "We now fast-forward to Jones's later experiences fighting for the Imperial Russian Navy. There are parallels to cantos VII-X of Byron's Don Juan in this section."
		},
		"location": 66,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 96,
		"next": "97",
		"previous": 95,
		"number": 95,
		"volume": 3,
		"pageNumber": "255-6",
		"text": {
			"headline": "Siege of Ochakov",
			"text": "Suwarrow took the arm of the Prince, and, motioning Paul to follow, walked slowly along from battery to battery, commending one engineer, reproving another, depressing a cannon here, elevating one there, and endeavouring to impress on all the necessity of firing with precision and rapidity.",
			"note": "Alexander Suvarov is one of most famous figures in Russian military history."
		},
		"location": 67,
		"zoom": 15,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 97,
		"next": "98",
		"previous": 96,
		"number": 96,
		"volume": 3,
		"pageNumber": "261",
		"text": {
			"headline": "Off Ochakov",
			"text": "The Turkish Armada, in three divisions, commanded by the Capitan Pacha, sailed boldly into the bay, and, outnumbering the Russians, advanced with the hope of vanquishing and capturing the whole.",
			"note": "There is relatively little actual naval action in the novel, certainly when compared to Jones's appearance in James Fenimore Cooper's <i>The Pilot</i> (1824) two years earlier."
		},
		"location": 66,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 98,
		"next": "99",
		"previous":  97,
		"number": 97,
		"volume": 3,
		"pageNumber": "269",
		"text": {
			"headline": "Alexander Suvorov's tent",
			"text": "Suwarrow, with all the tokens of a well-fought field of battle emblazoned on him,&mdash;his hands bloody,&mdash;his gun black with powder at lock and muzzle,&mdash;with sweat on his brow, and blood on his cheek, from a ball which grazed it,&mdash; walked into his tent, and stood before the Vizier.",
			"note": "The Siege of Ochakov being reimagined here took place in 1788. Jones was not present."
		},
		"location": 68,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 99,
		"next": "100",
		"previous": 98,
		"number": 98,
		"volume": 3,
		"pageNumber": "279",
		"text": {
			"headline": "Siege of Ochakov",
			"text": "The Russians fell in hundreds before they reached the breach, and those who struggled up the uneven and dusty acclivity of stones and rubbish were hewn down in a moment. Hundred followed hundred, and thousand succeeded thousand, to meet with the same fate; yet, blind with enthusiasm and devoted to their leader, they swarmed to the attack, though certain of destruction.",
			"note": "The idea of 'enthusiasm' as a form of dangerous passion was an important one in the period and was often deployed in class-specific and racialised terms."
		},
		"location": 69,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 100,
		"next": "101",
		"previous": 99,
		"number": 99,
		"volume": 3,
		"pageNumber": "294-5",
		"text": {
			"headline": "Dnieiper river",
			"text": "The path lay along the northern bank of the Dnieper; an intense frost rendered the ground as hard as stone, and made it ring to the horses’ hoofs as if they trode on a pavement of iron; while a powdering of the purest snow, as dry as meal, made hill and dale of a dazzling whiteness as far as the eye could reach.",
			"note": "Much like the American interlude, these sections in what is now Ukraine border on a purely archetypal use of space."
		},
		"location": 70,
		"zoom": 13,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 101,
		"next": "102",
		"previous": 100,
		"number": 100,
		"volume": 3,
		"pageNumber": "296",
		"text": {
			"headline": "Deep brook",
			"text": "They came to a deep brook of sluggish water, which had yielded to the season, and lay one solid mass of ice, with all its fish visible at the bottom.",
			"note": "Macgubb, with his powerful local attachment, habitually refers and compares the foreign landscapes of the novel back to Galloway."
		},
		"location": 71,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 102,
		"next": "103",
		"previous": 101,
		"number": 101,
		"volume": 3,
		"pageNumber": "297",
		"text": {
			"headline": "Immense forest",
			"text": "On the second day of their march they entered an immense forest. The trees were lofty and old, the hillocks of leaves lay brown and dry, while amongst their shafts the wind came whistling so sharp and so keen as nearly to daunt the most hardy rider.",
			"note": "Settings like this 'immense forest' have a mythical quality quite unmoored from empircal geography."
		},
		"location": 72,
		"zoom": 13,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 103,
		"next": "104",
		"previous": 102,
		"number": 102,
		"volume": 3,
		"pageNumber": "297-8",
		"text": {
			"headline": "Russian wilderness",
			"text": "At length they reached a more sheltered part of the Russian wilderness […] a huge bear, his jaws churning a crimson foam, the blood trickling from his flanks, and a couple of large fierce dogs close upon him, came crashing through the brushwood.",
			"note": "Catherine the Great is about to make her entrance and, by the logic of this Romance terrain, is preceded here by the Russian symbol of the bear."
		},
		"location": 88,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 104,
		"next": "105",
		"previous": 103,
		"number": 103,
		"volume": 3,
		"pageNumber": "307",
		"text": {
			"headline": "Catherine the Great's hunting lodge",
			"text": "The Lady of the Forest, accompanied by Paul and Lord Dalveen, rode through the wood a little way till she came to a handsome lodge amid an encampment of tents and huts, the whole enclosed by a rustic palisade. […] The porch of this palace in the wilderness was emblazoned with the arms of Russia, and on its summit the Imperial banner was unfurled.",
			"note": "We are told that the Empress is on her way to Cherson (3.301), which provides a means of plotting the fantastical journey to get here."
		},
		"location": 73,
		"zoom": 14,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 105,
		"next": "106",
		"previous": 104,
		"number": 104,
		"volume": 3,
		"pageNumber": "325",
		"text": {
			"headline": "Solway Firth",
			"text": "That land on the left looks like the Ross of Kirkcudbright, and that isle looks like the Isle of Man. I maun have passed the Mull in the tempest; and now I think I did feel a pang of gladness shoot through me as we came driving endlang in the mirk. God be near my wits, but it's my ain dear native place!",
			"note": "Robin Macgubb, the speaker here, combines his extreme local attachment with the globetrotting experience of a sailor. The idea that one's homeland might provoke such a subconscious reaction is a telling sign of the novel's emphasis on belonging."
		},
		"location": 74,
		"zoom": 9,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 106,
		"next": "107",
		"previous": 105,
		"number": 105,
		"volume": 3,
		"pageNumber": "325",
		"text": {
			"headline": "Small cove",
			"text": "The ship cast anchor in a small cove,&mdash;a boat was lowered, and Paul, in the costume of a Russian admiral, with his naval cloak thrown around him, set his foot once more on the coast of his native country.",
			"note": "On his return home, Jones is confronted with his own quasi-mythological status as a local and national pariah."
		},
		"location": 75,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 107,
		"next": "108",
		"previous": 106,
		"number": 106,
		"volume": 3,
		"pageNumber": "330",
		"text": {
			"headline": "Dalveen Castle",
			"text": "Before him the tower of Dalveen rose huge and gray,&mdash; behind him the sea of Solway murmured surly and dark,&mdash;he advanced with a hesitating step and a throbbing heart.",
			"note": "Cunningham's novel returns again and again to the meetings of land and sea in southwest Scotland, developing a kind of coastal poetics."
		},
		"location": 2,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 108,
		"next": "109",
		"previous": 107,
		"number": 107,
		"volume": 3,
		"pageNumber": "334-5",
		"text": {
			"headline": "Little stream",
			"text": "He came to the bank of a little stream, where stood of old a Saxon cross of solid stone, with a thistle intertwined round the shaft, and terminating in a virgin and child on one side, and a kneeling warrior on the other. […] It was then that terror fairly mastered him, and the form, which till now remained dim and dimensionless, assumed the shape of a man and the port of a warrior, and waxed of more than human height.",
			"note": "This is another example of the supernatural machinery peppered through the novel."
		},
		"location": 76,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 109,
		"next": "110",
		"previous": 108,
		"number": 108,
		"volume": 3,
		"pageNumber": "335-6",
		"text": {
			"headline": "The Pauls' new cottage",
			"text": "He went to his mother's house,&mdash;the door stood open,&mdash;a faint light glimmered from a cruse; his mother was kneeling in prayer, she looked up, gave a low shriek of joy, and fainted in his arms.",
			"note": "The novel returns now for the last time to the emotive space of the birthplace cottage. Jones's mother falls 'lifeless on the floor' (3.336) in confirming what has long been teased: that Jones is the illegitimate half-brother of Lord Dalveen."
		},
		"location": 24,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 110,
		"next": "111",
		"previous": 109,
		"number": 109,
		"volume": 3,
		"pageNumber": "337",
		"text": {
			"headline": "Jones's ship",
			"text": "It was midnight when Paul returned to his ship silent and melancholy. He hastened below as if unwilling to look again on the land he was now leaving for ever; while the seamen, expanding their canvass again to the breeze, the ship darted rapidly out of the frith, and soon left the shores of old Scotland behind.",
			"note": "The novel's romance of dispossession is now largely complete."
		},
		"location": 77,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 111,
		"next": "112",
		"previous": 110,
		"number": 110,
		"volume": 3,
		"pageNumber": "339",
		"text": {
			"headline": "Le Havre principal street",
			"text": "Paul looked, and saw the threshold of a church splashed with newspilt blood, the kennel running with gore, and handfuls of human hair scattered about.",
			"note": "Cunningham now explores the most violent aspects of the French Revolution."
		},
		"location": 89,
		"zoom": 15,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 112,
		"next": "113",
		"previous": 111,
		"number": 111,
		"volume": 3,
		"pageNumber": "344",
		"text": {
			"headline": "Road to Paris",
			"text": "All marks of the monarchy were carefully obliterated,&mdash;the Bourbon banner was supplanted by the tri-coloured flag,&mdash;the statues of the long line of French kings were cast down and broken,&mdash;the churches were turned into barracks,&mdash;and the processions of monks had given place to wild mobs of both sexes, half-armed, half-drunk, and revelling in all the license of unrestrained passion.",
			"note": "This view of the Revolution as turning into a bloodthirsty and drunken riot had become commonplace in Britain."
		},
		"location": 46,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 113,
		"next": "114",
		"previous": 112,
		"number": 112,
		"volume": 3,
		"pageNumber": "346",
		"text": {
			"headline": "Site of the Bastille",
			"text": "As Paul contemplated the vacant site of the Bastile [sic], he was suddenly surrounded by a band of citizens, their faces inflamed with unsatisfied revenge, and their hands filled with weapons, which seemed newly used.",
			"note": "Cunningham insists on the dangers of a too enthusiastic or uncompromising pursuit of 'liberty'. The point is at once political and geographical in this novel about revolution and migration."
		},
		"location": 78,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 114,
		"next": "115",
		"previous": 113,
		"number": 113,
		"volume": 3,
		"pageNumber": "348",
		"text": {
			"headline": "Committee of Public Safety",
			"text": "The chamber where those conservators of the infant republic were seated had once owned painted ceilings, gilded cornices, walls hung with paintings, and niches adorned with statues. But those trappings had been swept away by the brutal fury of the mob.",
			"note": "The Committee was actually created after Jones's death. It met in the Pavillon de Flore, Palais de Louvre."
		},
		"location": 79,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 115,
		"next": "116",
		"previous": 114,
		"number": 114,
		"volume": 3,
		"pageNumber": "353",
		"text": {
			"headline": "Cathedral",
			"text": "Paul was hurried along to the entrance of a cathedral,&mdash; innumerable torches gleamed in the moonlight, and the building was filled by a wild and ungovernable multitude, from whose wearied bodies a hot steam rose up to the vaulted roof.",
			"note": "This location marker is at Notre-Dame, though Cunningham does not specify the Cathedral."
		},
		"location": 80,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 116,
		"next": "117",
		"previous": 115,
		"number": 115,
		"volume": 3,
		"pageNumber": "355-6",
		"text": {
			"headline": "National Convention",
			"text": "To encourage or allay the fury of the people, and to lament or rejoice over the extinction of that formidable club of murderers, called the Committee of Public Safety, a secret meeting of the Convention was suddenly called; and Paul, to his surprise, was summoned as member for Havre-de-Grace.",
			"note": "The National Convention met at the Tuileries Palace. Jones was not a member."
		},
		"location": 81,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 117,
		"next": "118",
		"previous": 116,
		"number": 116,
		"volume": 3,
		"pageNumber": "362-3",
		"text": {
			"headline": "Public square",
			"text": "The fiercer members of the Convention, baulked of their royal victim, formed themselves into a club, and held their meeting in one of the public squares. The guillotine, the labours of which had ceased with the Committee of Public Safety, stood idle behind them, whilst round it danced a tumultuous mob uttering wild yells and chanting songs of joy.",
			"note": "This marker is at Place de la Concorde outside the Tuileries. This is famously the site where King Louis XVI was guillotined. In the novel, Jones and Lord Dalveen are instrumental in preventing or at least postponing this event."
		},
		"location": 82,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 118,
		"next": "119",
		"previous": 117,
		"number": 117,
		"volume": 3,
		"pageNumber": "367",
		"text": {
			"headline": "Jones's chambers",
			"text": "I have unfurled my banner for the last time on the waters,&mdash;my cutlass will shine on deck no more,&mdash;nor shall we ever go again side by side to fight and to conquer.",
			"note": "John Paul Jones died at what is now no. 19 Rue de Tournon on 18 July 1792."
		},
		"location": 83,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 119,
		"next": "120",
		"previous": 118,
		"number": 118,
		"volume": 3,
		"pageNumber": "369-70",
		"text": {
			"headline": "National Convention",
			"text": "The hour appointed for Macgubb to go before the Convention regarding his maritime command came, yet he did not appear; they waited, but he did not come; they sent for him, but he was nowhere to be found.",
			"note": "Macgubb leaves the world stage to return to the novel's local setting."
		},
		"location": 81,
		"zoom": 16,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}, {
		"id": 120,
		"next": "",
		"previous": 119,
		"number": 119,
		"volume": 3,
		"pageNumber": "370",
		"text": {
			"headline": "Near the mouth of the Seine",
			"text": "The groves of France soon grew dim in the distance.",
			"note": "Though John Paul Jones himself does not achieve reconciliation with Galloway here, Macgubb committs to also have Jones's name inscribed on his own gravestone (3.371)."
		},
		"location": 84,
		"zoom": 12,
		"media": {
			"url": "",
			"credit": "",
			"caption": ""
		}
	}]
}